Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Joseph Mallord William Turner 05

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
54955		Sailboat	mk238 1840-1845 30.5x48cm
24454		Sailing boats at sea (mk31)	1796-97 Watercolour,gouache and pencil 11.3x18.6cm
24455		Sailing vessel at sea (mk31)	1796-97 Watercolour,gouache and pencil 11.3x18.6
24470		Saltash,Cornwall (mk31)	1825 Watercolour 27x41cm
43920		San Giorgio Maggiore at Dawn	224 x 287 mm
87988		Schatten und Dunkelheit: Der Abend vor der Sintflut	1843(1843) Medium Oil on canvas Dimensions 78,7 x 78 cm cjr
93742		Schiffsverkehr vor der Landspitze von East Cowes	1827(1827) Medium oil on canvas Dimensions 46 x 60 cm cjr
54893		Sculpture	mk238 1827 Watercolour 14.1x19.2cm
54902		Sea	mk238 1822 Watercolour 15.2x21.8cm
54987		Sea	mk238 1844 Watercolour 22.8x32.8cm
54848		Sea fight	mk238 1806 Oil on canvas
54922		Sea fight	mk238 1823-1824 Oil on canvas 259x365.8cm
54943		Sea hog	mk238 1835-1840 Oil on canvas 91x122cm
77773		Self portrait	1798(1798) Medium Oil on canvas Dimensions 74 ?? 58 cm (29.1 ?? 22.8 in) cyf
78619		Self portrait	1798(1798) Medium Oil on canvas Dimensions 58 x 72.5 cm (22.8 x 28.5 in) cyf
79285		Self portrait	1798(1798) Medium Oil on canvas Dimensions 72.5 x 58 cm (28.5 x 22.8 in) cyf
75960		Self-portrait	1798(1798) Oil on canvas 74 ?? 58 cm (29.1 ?? 22.8 in) cjr
78484		Self-portrait	1798(1798) Oil on canvas cjr
54906		Sengmolisi	mk238 1827 Watercolour 23.6x29.5cm
71906		Shade and Darkness	Shade and Darkness - the Evening of the Deluge exhibited 1843 Oil on canvas, 787 x 781 mm frame: 1035 x 1035 x 115 mm, Stolen on July 28, 1994 from Kunsthalle Schirn, Frankfurt am Main
55198		Shape	mk239 1937 88.9x116.3cm
55081		Sheila	MK239 1912 Oil on canvas 108.8x108.8cm
24474		Shipping off East Cowes Headland (mk31)	1827 Oil on canvas 46x60cm
55144		Shock	mk239 1924 Watercolour
54867		Sikabolofu	mk238 1818 Watercolour 28.6x40.4cm
55028		Skirt	mk239 1909 Oil on canvas 95x128.5cm
55210		Sky	mk239 1940 Oil on canvas 100x73cm
56926		Slave ship	mk250 Year in 1840. Cloth on canvas, 90.7 x 122.7 cm. Boston Museum of Art.
55171		Small icon	mk239 1927 Watercolour 48.1x32.1cm
43977		Snow Storm, Hannibal and his Army Crossing the Alps	1812 Oil on canvas, 145 x 236,5 cm
40645		Snow Storm,Hannibal and his Amy Crossing the Alps	mk156 c.1811 Oil on canvas 146x237.5cm
40689		Snow Storm-Steam-Boat off a Harbour-s Mouth	mk156 1842 Oil on canvas 91.4x121.9cm
21771		Snowstorm Boat at the Harbour Entrance (mk10)	1842 Oil on canvas 146 x 237 cm London,Tate Gallery
3234		Snowstorm Steamboat off Harbor's Mouth	1842 National Gallery, London
55170		Solidity	mk239 1927 Watercolour 48.3x32.3cm
92166		Sommer-Hill bei Turnbridge	1811(1811) Medium oil on canvas Dimensions 91,5 X 122,3 cm cyf
87356		Sommer-Hill bei Turnbridge, Wohnsitz des W.F. Woodgate	Date 1811(1811) Medium Oil on canvas Dimensions 91,5 x 122,3 cm cjr
55155		Spoil	mk239 1925 Watercolour 48.4x32.1cm
55192		Spread	mk239 1934 53x30cm
54969		Square view	mk238 1833-1835 Watercolour 15x22.8cm
24492		St.Benedetto.looking towards Fusina (mk31)	1843 Oil on canvas 61.5x92cm
55159		Stable	mk239 1925 Watercolour 48.5x32.3cm
54896		Step	mk238 1827 Watercolour
54949		Storm	mk238 1842 Watercolour 22x21.7cm
54951		Storm	mk238 1840-1845 Oil on canvas 91.4x121.9cm
54961		Storm	mk238 1845 Watercolour 28.9x47.3cm
54975		Storm	mk238 1840 Watercolour 21.8x31.8cm
54865		Storm Wind	mk238 1812 15.3x21.7cm
55019		Street	mk239 1908 Oil on canvas 33x41cm
55189		Stress	mk239 1934 8.4x80.7cm
55194		Structure number 9	mk239 Oil on canvas 1936 Oil on canvas 114x195cm
55023		Study	mk239 1909 Oil on canvas
55090		Study	mk239 1913 Watercolour 25.8x34.5cm
55212		Study	mk239 1914 31.8x49.5cm
55021		Study of Church	mk239 1908-1909
55030		Study of church	mk239 1910 Oil on canvas 32x44cm
54903		Study of Lusi	mk238 1824 Watercolour 17.4x24.8cm
55087		Study of white line	mk239 Oil on canvas 1913
24463		Sun rising tyhrough vapour:Fishermen cleaning and selling fish (mk31)	1807 Oil on canvas 134.5x179cm
24490		Sun setting over a lake (mk31)	1840 Oil on canvas 91x122.5cm
54855		Sunrise	mk238 1806-1807 Oil on canvas 85.7x116.2cm
54957		Sunrise	mk238 1840-1845 Oil on canvas 91.5x122cm
3214		Sunrise Between Two Headlands	Tate Gallery, London
3238		Sunrise with Sea Monsters	1845 Tate Gallery, London
54850		Sunset	mk238 1805 watercolour 25.7x36.8cm
54879		Sunset	mk238 1819 Watercolour 23.1x36.9cm
54891		Sunset	mk238 1827 Watercolour 14x19.3cm
54892		Sunset	mk238 1827 Watercolour 13.8x19.1cm
54908		Sunset	mk238 1825-1830 Watercolour 34.5x48.6cm
54934		Sunset	mk238 1832 Watercolour 14x19.2cm
54956		Sunset	mk238 1840-1845 25.8x30cm
54960		Sunset	mk238 1845 Oil on canvas 91.4x121.9cm
54966		Sunset	mk238 1840-1845 Oil on canvas 90.8x121.9cm
54989		Sunset	mk238 1844-1845 Watercolour 24.4x30.3cm
54898		Sunset near the lake	mk238 1832 13.8x19cm
54941		Surf	mk238 1835 23x30.5cm
55024		Sword	mk239 1909 Oil on canvas 125x73cm
54915		Tempt	mk238 1834 Watercolour 19.3x14cm
55165		Tender	mk239 1927 Oil on canvas 100x50cm
55160		Tender advocacy	mk239 1926 Watercolour 40.5x53.8cm
43982		The Angel Standing in the Sun	1846 Oil on canvas, 79 x 79 cm
51742		The Angel Standing in the Sun	nn09 c.1846 Oil on canvas 31x31in
76119		The Battle of Trafalgar	The Battle of Trafalgar (1822). cyf
24247		The Battle of Trafalgar (mk25)	21 October 1805 c 1823
74569		The Battle of Trafalgar by J. M. W. Turner	The Battle of Trafalgar by J. M. W. Turner (oil on canvas, 1822-1824) cjr
3212		The Bay of Baiaae with Apollo and the Sibyl	1823 Tate Gallery, London
89693		The Bay of Baiae, with Apollo and the Sibyl	Oil on canvas Dimensions Height: 1,454 cm (572.4 in). Width: 2,375 cm (935 in). cjr
54823		The bridge on the river	mnk238 1795-1796 33.1x44.3cm
3217		The Burning of the Houses of Parliament	1834 Philadelphia Museum of Art
3221		The Burning of the Houses of Parliament	1834 Cleveland Museum of Art
73323		The Deluge	The Deluge, oil painting in the Tate Gallery, London
89951		The Dogano, San Giorgio, Citella, from the Steps of the Europa	oil on canvas Dimensions Height: 616 cm (242.5 in). Width: 927 cm (365 in). cjr
24480		The fall of an Avalanche in the Grisons (mk31)	1810 Oil on canvas 90x120cm
3223		The Fifth Plague of Egypt	1800 Indianapolis Museum of Art
3232		The Fighting Temeraire	1838 The National Gallery
40684		The Fighting Temeraire	mk156 1839 Oil on canvas 91x122cm
43313		The Fighting Temeraire Tugged to Her Last Berth to be Broken Up	mk170 1838 before 1839 Oil on canvas 90.8x121.9cm
75012		The Fighting Temeraire tugged to her last Berth to be broken up	1838(1838) Oil on canvas 91 X 122 cm (35.83 X 48.03 in) cjr
61215		The fighting Temeraire tugged to her last berth to be broken up,	The fighting Temeraire tugged to her last berth to be broken up, painted 1839.
55119		The girl wearing the skirt	mk239 1918 25.1x40.8cm

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Joseph Mallord William Turner

English Romantic Painter, 1775-1851 Joseph Mallord William Turner (23 April 1775 ?C 19 December 1851) was an English Romantic landscape painter, watercolourist and printmaker, whose style is said to have laid the foundation for Impressionism. Although Turner was considered a controversial figure in his day, he is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting. Turner's talent was recognised early in his life. Financial independence allowed Turner to innovate freely; his mature work is characterised by a chromatic palette and broadly applied atmospheric washes of paint. According to David Piper's The Illustrated History of Art, his later pictures were called "fantastic puzzles." However, Turner was still recognised as an artistic genius: the influential English art critic John Ruskin described Turner as the artist who could most "stirringly and truthfully measure the moods of Nature." (Piper 321) Suitable vehicles for Turner's imagination were to be found in the subjects of shipwrecks, fires (such as the burning of Parliament in 1834, an event which Turner rushed to witness first-hand, and which he transcribed in a series of watercolour sketches), natural catastrophes, and natural phenomena such as sunlight, storm, rain, and fog. He was fascinated by the violent power of the sea, as seen in Dawn after the Wreck (1840) and The Slave Ship (1840). Turner placed human beings in many of his paintings to indicate his affection for humanity on the one hand (note the frequent scenes of people drinking and merry-making or working in the foreground), but its vulnerability and vulgarity amid the 'sublime' nature of the world on the other hand. 'Sublime' here means awe-inspiring, savage grandeur, a natural world unmastered by man, evidence of the power of God - a theme that artists and poets were exploring in this period. The significance of light was to Turner the emanation of God's spirit and this was why he refined the subject matter of his later paintings by leaving out solid objects and detail, concentrating on the play of light on water, the radiance of skies and fires. Although these late paintings appear to be 'impressionistic' and therefore a forerunner of the French school, Turner was striving for expression of spirituality in the world, rather than responding primarily to optical phenomena. Rain, Steam and Speed - The Great Western Railway painted (1844).His early works, such as Tintern Abbey (1795), stayed true to the traditions of English landscape. However, in Hannibal Crossing the Alps (1812), an emphasis on the destructive power of nature had already come into play. His distinctive style of painting, in which he used watercolour technique with oil paints, created lightness, fluency, and ephemeral atmospheric effects. (Piper 321) One popular story about Turner, though it likely has little basis in reality, states that he even had himself "tied to the mast of a ship in order to experience the drama" of the elements during a storm at sea. In his later years he used oils ever more transparently, and turned to an evocation of almost pure light by use of shimmering colour. A prime example of his mature style can be seen in Rain, Steam and Speed - The Great Western Railway, where the objects are barely recognizable. The intensity of hue and interest in evanescent light not only placed Turner's work in the vanguard of English painting, but later exerted an influence upon art in France, as well; the Impressionists, particularly Claude Monet, carefully studied his techniques.

All the Alma Tadema's Oil Paintings

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